This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice.
Claire Raymond is a visiting research associate at Princeton University and a visiting scholar with the department of English at the University of Virginia. She is the author of Francesca Woodman's Dark Gaze: The Diazotypes and Other Late Works; Women Photographers and Feminist Aesthetics; Witnessing Sadism in Texts of the American South; and Francesca Woodman and the Kantian Sublime. Her research focuses on aesthetics, poetics, and the intersections of cultural trauma and representation.
